The film around the intelligence officer Captain Smith plays in the headquarters of a British tank regiment shortly after the beginning of the invasion of 1944, where Le Havre waws to be overrun by allied troops and forced to surrender. Smith refuses to continue the fight as he is convinced that the war has become meaningless, he came to that conclusion due to the denial of the request of a German general to evacuate the French civilian population.

A story of a boy, forced to grow mature before his time and to die too early because of the cruel war circumstances. This film is dedicated to all the children who have died during the National Liberation War.

A group of civilians join the Army temporarily as volunteers to combat drug trafficking and border incursions near Burma. On an exercise into the jungle they find a place full of strange figures. They go back to base and discuss their findings with a monk. A Karen woman says the place is haunted. The monk says it isn't and goes back in there with them to prove it but they are captured by the Karen rebels.

A local veteran, Ilko Stepanovych, attaches himself to a visiting group of young filmmakers shooting a war film. He is determined to make sure everything is recreated down to the smallest detail—exactly as it was in his own life.

Director Kevin Smith discusses the influence of the 1976 film 'The Bad News Bears' on his life and career.

The daily lives of a group of soldiers in 'B' Company, 1st Battalion The King's Fusiliers.

Gwyn can feel danger coming in the wind. Somehow he knows the warnings have to do with the broken toy horse that holds the evil spirit of a prince who lived long ago. When Gwyn discovers that the prince's dark soul has escaped from the horse and is seeking revenge Gwyn, Emlyn, and Nia have to figure out how to save the mysterious soldier who claims to be Nia's distant cousin. With the help of the Snow Spider, can they recapture the prince's soul without hurting the Chestnut soldier?

Documentary focusing on the contributions to the American war effort of African-American soldiers.

What is it that Edgar Garrett sees, or thinks he sees, on his farm one morning in the mists of early spring? Whatever it is, one thing is certain. Life will never be the same again for him and his family.

In the 1930s a young fellow, Simon Chalumet, is sent to a military school by his overbearing father, an ex-soldier who has little sympathy for his son's more gentle temperament, or for his interest in films.